Enredo en la Primera B. Y esta vez afecta directamente al líder San Luis, que dirige Humberto "Chupete" Suazo.
Los quillotanos tienen 53 puntos y reciben a las 17:30 horas a Recoleta. Si ganan y Cobreloa no derrota a Rangers, aseguran el título y el ascenso a una fecha del final del torneo.
Sin embargo... Por disposición de la ANFP, no habrá copa en Quillota.
¿El motivo? El ente rector del fútbol chileno optó por aguardar la resolución para las denuncias que pesan sobre San Marcos y Puerto Montt, que eventualmente podrían cambiar todo el panorama, tanto en la parte alta, la liguilla como el descenso.
El artículo 89 de las bases es claro: "En el evento que durante el desarrollo del campeonato un club fuere sancionado con la pérdida de la categoría, desafiliación o expulsión" todos los partidos que hubiese disputado se darán por perdidos por 0-3.
Lo que pasa es que, en ese escenario y de ser sancionado Puerto Montt, Cobreloa agregaría dos unidades (igualaron 1-1), no así San Luis que lo venció en los dos duelos a los salmoneros.
En tanto, si es San Marcos el castigado, cuyo caso está en la segunda sala, Cobreloa sumaría otros tres puntos.
Considerando todo lo anterior, hoy también podría haber un "potencial" descendido. Si Rangers no gana a Cobreloa y tanto Santa Cruz como San Felipe ganan sus respectivos duelos ante Copiapó y Puerto Montt, los talquinos bajarían.
Todo esto, claro está, hasta que se resuelvan los ya tan comunes "escritoriazos"...
Estas son obras del Louvre que casi nadie ve… y algunas, si tienes suerte, las encontrarás 👀🖼️ Estas son obras del Louvre que casi nadie ve… y algunas, si tienes suerte, las encontrarás 👀🖼️ El museo está lleno de joyas ocultas que la mayoría pasa por alto. Guarda este video para descubrirlas en tu visita 🇫🇷✨ #Louvre #Paris #Arte #Francia #Pintura
This is... This is... 📍 Hungarian State Opera, Budapest 🇭🇺 One of the most beautiful opera houses in Europe – a Neo-Renaissance masterpiece with magnificent frescoes, golden details, and impressive acoustics. ✨ Opened in 1884, it is one of Hungary's most important cultural institutions and has inspired composers such as Gustav Mahler and Otto Klemperer. 🎼 Even without a performance, it's worth a visit: Guided tours, around €30, offer fascinating insights behind the scenes and into the magnificent halls. 🎟️ Budapest
Painted around 1658–1660 in the quiet Dutch city of Delft, The Milkmaid by Johannes Vermeer was not created in a grand studio or inspired by distant travels, but within the intimate spaces of his own. Painted around 1658–1660 in the quiet Dutch city of Delft, The Milkmaid by Johannes Vermeer was not created in a grand studio or inspired by distant travels, but within the intimate spaces of his own home. Vermeer spent nearly his entire life in Delft, and much of his work draws from the interiors he knew best. The kitchen scene in this painting is believed to be based on a real room, possibly within his household, carefully arranged to control light, composition, and mood. What makes this painting extraordinary is how deliberately constructed it is. The light enters from a window on the left, a consistent feature in many of Vermeer’s works, suggesting he may have used the same room or studio setup repeatedly. Every object is placed with intention, from the bread and basket to the ceramic jug and the textured wall, all designed to interact with light in a specific way. Some scholars even suggest Vermeer may have used a camera obscura, an early optical device, to study how light behaves, which could explain the almost photographic quality of focus and detail. But beyond technique, the painting reflects something deeper about Vermeer’s world. Delft in the 17th century was a thriving but controlled society, where domestic life played a central role. By choosing to paint a working woman in a quiet moment of concentration, Vermeer elevated everyday labor into something dignified and meaningful. He didn’t need grand narratives or exotic settings. Instead, he found significance in stillness, in routine, and in the subtle beauty of ordinary life. This is what makes The Milkmaid so powerful. It isn’t just a scene, it’s a carefully observed moment shaped by light, space, and attention. Vermeer turned his immediate surroundings into something universal, proving that sometimes, the most extraordinary art comes not from what is far away, but from how deeply we see what is right in front of us.
A vision of castles no one else ever had A vision of castles no one else ever had Frederik Marinus Kruseman (1816–1882) was a major 19th-century Dutch painter associated with the Romantic movement. Born into a family of artists, he trained under established painters and early on developed a strong interest in detailed, narrative landscapes. Rather than simply reproducing reality, his work seeks to convey an atmosphere, an emotion—almost a visual memory. Throughout his career, he traveled across Europe, particularly in Germany, Switzerland, and Italy, where he found essential sources of inspiration. These journeys deeply shaped his style: he painted not just what he saw, but what he felt in the presence of these history-filled places. Castles, often central in his compositions, become more than architectural elements—they embody power, solitude, nostalgia, and sometimes a quiet sense of mystery. His style is marked by a remarkable mastery of light and seasons, especially winter scenes for which he is highly appreciated. He plays with contrasts between nature and architecture, between vast landscapes and the often subtle, almost fading human presence. This approach enhances the feeling that these places exist independently of us, like silent witnesses to the passage of time. What makes his work unique is his ability to transform a simple castle into an emotional symbol. Where others depict buildings, he creates an atmosphere: a sense of calm, sometimes unsettling, where visual beauty conceals deeper introspection. His works express an idealized vision of Europe—yet one tinged with melancholy, like a memory that can no longer be reached. Frederik Marinus Kruseman, 1816–1882 Music: Golden Brown – The Stranglers (slowed + reverb) #art #arthistory #painting #artwork #romanticism #landscape #classicalart #emotion #nature #light
🌏☀️💦The astonishing baroque Church of Gesù, Rome. 🌏☀️💦The astonishing baroque Church of Gesù, Rome.
Historia militar en el Prado: “Alocución del marqués del Vasto a sus soldados”, de Tiziano Historia militar en el Prado: “Alocución del marqués del Vasto a sus soldados”, de Tiziano Vídeo en directo con Rubén González Cuerva, investigador del Consejo Superior de Investigaciones Científicas (CSIC) y autor del libro “Un paseo militar por el Museo del Prado”, sobre la obra de Tiziano “Alocución del marqués del Vasto a sus soldados”, de 1540-1541 En esta pintura aparece representado al gobernador desarticulando un motín de los soldados y dejando como rehén a su propio hijo primogénito, Francesco Ferdinando. El detalle del niño y su armadura es muy especial, porque es una tipología thoracata de la que solo se conserva en la actualidad una en la Real Armería de Madrid Desde la sala 25 del #MuseodelPrado